[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”3.26.4″ background_color=”#fcfaf6″][et_pb_fullwidth_header title=”Tamara Landau” subhead=”Sculptor” _builder_version=”3.26.4″ title_font=”||||||||” title_text_color=”#00cccc” title_font_size=”25px” subhead_font=”||||||||” subhead_text_color=”#0068d8″ subhead_font_size=”24px” background_color=”#fbfaf5″ border_color_all=”#ffffff” border_color_bottom=”#00cccc” border_style_bottom=”dotted” background_layout=”light” custom_padding=”25px||6px|||”][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.26.4″ background_color=”#fcfcfc” use_background_color_gradient=”on” background_color_gradient_start=”#ffffff” background_color_gradient_end=”#efefef” background_color_gradient_start_position=”70%” max_width=”100%” custom_padding=”||35px|||”][et_pb_row column_structure=”3_5,2_5″ custom_padding=”||1px|||” custom_margin=”||||false|false” admin_label=”row” _builder_version=”3.26.4″ background_color=”rgba(0,0,0,0)” collapsed=”off”][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Text” _builder_version=”3.26.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”]<\/p>\n
Tamara Landau, psychoanalyst, became a sculptor so she could listen to, think about and convey the hidden inexpressible suffering of her patients. <\/strong><\/p>\n Between 1994 and 2002 she attended the ateliers of Alberto Carlinsky, a pupil of Ossip Zadkine, of Fran\u00e7oise Voledda and the Ateliers des Beaux Arts in Paris.<\/p>\n Direct carving asserts itself as the first poetic writing of the unfathomable area of the unconscious. Her works in alabaster, a feminine stone, very erotic and sinuous, and at once hard and tender, strongly express this primal ambivalence.<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/tamara-landau.net\/wp-content\/uploads\/2019\/10\/tamara-landau-sculptrice.jpg” _builder_version=”3.26.4″][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.26.4″ background_color=”#efefef” max_width=”100%”][et_pb_row column_structure=”2_5,3_5″ _builder_version=”3.26.4″ background_color=”rgba(0,0,0,0)” collapsed=”off”][et_pb_column type=”2_5″ _builder_version=”3.26.4″][et_pb_image src=”https:\/\/tamara-landau.net\/wp-content\/uploads\/2019\/10\/IMG_0797.jpg” show_in_lightbox=”on” _builder_version=”3.26.4″ custom_margin=”4px||1px|||” custom_padding=”1px||20px||false|false”][\/et_pb_image][et_pb_image src=”https:\/\/tamara-landau.net\/wp-content\/uploads\/2019\/10\/IMG_0790.jpg” show_in_lightbox=”on” _builder_version=”3.26.4″ custom_padding=”20px||80px||false|false”][\/et_pb_image][et_pb_image src=”https:\/\/tamara-landau.net\/wp-content\/uploads\/2019\/10\/IMG_0783.jpg” show_in_lightbox=”on” _builder_version=”3.26.4″ custom_margin=”27px|||||” custom_padding=”||80px||false|false”][\/et_pb_image][et_pb_image src=”https:\/\/tamara-landau.net\/wp-content\/uploads\/2019\/10\/Tamara-Landau-Space-and-dream1.jpg” show_in_lightbox=”on” _builder_version=”3.26.4″ custom_padding=”80px||20px||false|false”][\/et_pb_image][et_pb_image src=”https:\/\/tamara-landau.net\/wp-content\/uploads\/2019\/10\/ArbreRenverseTL_03.jpg” show_in_lightbox=”on” _builder_version=”3.26.4″ custom_margin=”||9px|||” custom_padding=”80px||20px||false|false”][\/et_pb_image][et_pb_image src=”https:\/\/tamara-landau.net\/wp-content\/uploads\/2019\/10\/tamara-landau-arbol-invertido-17.jpg” show_in_lightbox=”on” _builder_version=”3.26.4″ custom_padding=”10px||80px||false|false”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.26.4″][et_pb_text admin_label=”Text” _builder_version=”3.26.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”]<\/p>\n Tamara Landau has been taking part in collective exhibitions since 2001: \u201cArt in progress\u201d Artship, Paris, San Francisco and the Ateliers des Beaux Arts.<\/p>\n Successively, a cultural and artistic exchange with Jean-Pierre Landau, psychoanalyst and painter, and his \u201cwords-colours\u201d, would bring new nourishment to her theoretical elaborations and writings.<\/p>\n * In 2004 she presented her sculptures on the theme of the \u201cenfant enclav\u00e9\u201d at the Montparnasse Museum in Paris, at the Marseilles Exhibition and Convention Centre\u00a0 and at the Vinatier in Lyon.<\/p>\n * In 2005, her exhibition at the Espace Beaurepaire in Paris closed this phase devoted to listening to torment and the primal fault.<\/p>\n * A new more joyous reflection announced itself, one on time, the unconscious and the ability for transformation of subjects. Creation thus becomes at once a tool for listening, for change and the only way of relating to the world. The relation between being, time and desire is now represented playfully in her installations, which link dreams and memories to the real in a poetic act. In the 2008 exhibition \u201cL’\u00e9-lu, l’\u00e9 -cri et le temps\u201d at the Blanchisserie gallery in Boulogne, Tamara Landau marks a turning point with \u201cBloc-notes Magique 1\u201d,\u00a0 which continues to plunge us inside the unconscious and makes us fly over the universe of all that is possible like on a magic carpet.<\/p>\n * In August 2008, her installation \u201cSpace and dream 1\u201d was selected by the jury to represent France at OPEN XI, the International Sculpture and Installations Exhibition in\u00a0 Biennale of\u00a0 Venice.<\/p>\n * In October 2008, her alabaster sculptures were exhibited in Chiavenna (Lombardy, Italy) at the International Sculpture, Installations and Painting Exhibition.<\/p>\n * In November 2008, she took part with a video and her installations in the exhibition \u201cA.N.G.E.L.I e tracce d’infinito\u201d at the Mya Lurgo gallery in Lugano.<\/p>\n * In February 2009, she presented the installation \u201cBloc-notes 2\u201d at Spazio Tadini in Milan. In May, she participated with a video and a performance in the collective exhibition \u201cThe Soul of the Sound\u201d, organized by the contemporary art research workshop Pardes, based in Mirano (Venice) and linked to the Venice Biennale.<\/p>\n * In October 2009, with some of her sculptures, she took part in the collective exhibition organised by Mnemoart at the Royal Villa of Monza “Visible and Invisible Territories of Evil”.<\/p>\n * In May 2010, she presented her video \u201cL’autre scene. Traces\u201d at the Freud Museum in London.<\/p>\n * In October 2010, she took part with an alabaster triptych in the exhibition \u201cElevations and Permutations 2\u201d for the Contemporary Art Museums Day organised in Mirano (Venice). The exhibition was filmed by Italian State TV for the arts show \u201cIl Paradiso dell’Arte\u201d on Rai 2.<\/p>\n * In April 2011, she participated with her installation \u201cRescap\u00e9\u201d in a collective exhibition on the Shoah held in Paris at the Societ\u00e9 des Gens et des Lettres. In October, she participated with some of her works in the painting and sculpture exhibition \u201cArs poetica erotica\u201d at the Orenda International Art gallery in Paris.<\/p>\n * In April 2012, she presented an alabaster, a large installation and the video \u201cM\u00e8refille toutattach\u00e9\u201d at the collective exhibition for her book \u201cLes funambules de l’oubli\u201d (The Tightrope Walkers of Oblivion) held at the Hungarian Institute in Paris.<\/p>\n * In June 2012, projection of her videos at the bookshop La Terrasse de Gutenberg in Paris.<\/p>\n * 2013 Projection of her videos at the Buenos Aires Conference Centre \u00a0<\/p>\n * 2013 Collective MnemoArt exhibition at the Paris XIV Municipal Building.<\/p>\n * 2014 Video-performance with Jean-Pierre Landau at the bookshop La Terrasse de Gutenberg in Paris.<\/p>\n * 2015 Video-performance with Jean-Pierre Landau at the exhibition \u00ab P\u00e8re&Fils \u00bb at the Milan French Institute.<\/p>\n * 2015 Video-performance \u00ab The Tightrope Walkers of Oblivion \u00bb at the Milan French Institute.<\/p>\n * 2015 Projection of her videos at the exhibition \u00ab Jean-Pierre Landau or listening at work \u00bb at Spazio Tadini in Milan.<\/p>\n * 2015 Collective exhibition \u00ab The Taste of Words \u00bb at Spazio Tadini in Milan, Fuoriexpo Milan, 2015.<\/p>\n * 2015 Video-performance \u00ab The Tightrope Walkers of Oblivion \u00bb at the Alliance Fran\u00e7aise in Buenos Aires.<\/p>\n * 2015 Collective exhibition BAR, Beauty-Art-Restoration, at the Central Archives of the State in Rome.<\/p>\n * 2016 Collective exhibition \u00ab Memory and Infinity \u00bb at the Utopia gallery in Rome.<\/p>\n * 2016 Projection of her videos at Jean-Pierre Landau\u2019s exhibition \u00ab A Psychoanalyst\u2019s Notebook \u00bb at the DAIstudio in Rome.<\/p>\n * 2016 Video-performance with Jean-Pierre Landau at the Central Archives of the State in Rome.<\/p>\n * 2016 Video-Performance \u00ab The Tightrope Walkers of Oblivion \u00bb at DAIstudio in Rome.<\/p>\n * 2016 Projection of her videos and presentation of her books in Palermo, Navarra publishers.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" [et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”3.26.4″ background_color=”#fcfaf6″][et_pb_fullwidth_header title=”Tamara Landau” subhead=”Sculptor” _builder_version=”3.26.4″ title_font=”||||||||” title_text_color=”#00cccc” title_font_size=”25px” subhead_font=”||||||||” subhead_text_color=”#0068d8″ subhead_font_size=”24px” background_color=”#fbfaf5″ border_color_all=”#ffffff” border_color_bottom=”#00cccc” border_style_bottom=”dotted” background_layout=”light” custom_padding=”25px||6px|||”][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.26.4″ background_color=”#fcfcfc” use_background_color_gradient=”on” background_color_gradient_start=”#ffffff” background_color_gradient_end=”#efefef” background_color_gradient_start_position=”70%” max_width=”100%” custom_padding=”||35px|||”][et_pb_row column_structure=”3_5,2_5″ custom_padding=”||1px|||” custom_margin=”||||false|false” admin_label=”row” _builder_version=”3.26.4″ background_color=”rgba(0,0,0,0)” collapsed=”off”][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Text” _builder_version=”3.26.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”] Tamara Landau, psychoanalyst, became a sculptor so she […]<\/p>\n","protected":false},"author":1,"featured_media":2388,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\n Tamara Landau, psychanalyste, est devenue sculpteur pour\n\t pouvoir \u00e9couter, penser et transmettre la souffrance cach\u00e9e\n\t et indicible des patients. Entre 1994 et 2002, elle\n\t fr\u00e9quente l'atelier de A. Carlinsky, \u00e9l\u00e8ve de O. Zadkine,\n\t celui de Voledda et les ateliers des Beaux Arts. La taille\n\t directe s'impose \u00e0 elle comme premi\u00e8re \u00e9criture po\u00e9tique des\n\t zones insondables de l'inconscient. Ses oeuvres en alb\u00e2tre,\n\t pierre f\u00e9minine tr\u00e8s \u00e9rotique et sinueuse nomm\u00e9e \u00ab agathe \u00e0\n\t seins \u00bb \u00e0 Volterra, \u00e0 la fois dure et tendre, expriment avec\n\t force cette ambivalence originaire. <\/p>\n\n\n\n Tamara Landau participe \u00e0 des expositions collectives \u00e0\n\t partir de 2001, \u00ab Art in progress \u00bb Artship, Paris, St\n\t Francisco et aux ateliers des Beaux Arts. Par la suite,\n\t l'\u00e9change avec Jean-Pierre\n\t Landau, psychanalyste et peintre<\/a>, viendra nourrir\n\t avec ses \u00ab mots-couleurs \u00bb son \u00e9laboration th\u00e9orique et son\n\t \u00e9criture.<\/p>\n\n\n\n * En 2004, elle va exposer ses sculptures autour de\n\t \u00ab l'enfant enclav\u00e9 \u00bb au Mus\u00e9e du Montparnasse, Paris, au\n\t Palais des Congr\u00e8s \u00e0 Marseille, au Vinatier \u00e0 Lyon. <\/p>\n\n\n\n * En 2005, l'exposition \u00e0 l'Espace Beaurepaire \u00e0 Paris viendra clore\n\t cette phase riv\u00e9e sur le tourment et la faille\n\t originaire. \n\t Une autre r\u00e9flexion s'annonce, plus joyeuse, sur\n\t le temps, l'inconscient et la capacit\u00e9 de transformation des\n\t sujets. La cr\u00e9ation devient ainsi \u00e0 la fois outil d'\u00e9coute,\n\t de changement et le seul moyen d'\u00eatre en relation avec le\n\t monde. Le rapport entre l'\u00eatre, le temps et le d\u00e9sir est\n\t d\u00e9sormais figur\u00e9 de fa\u00e7on ludique dans des installations qui\n\t relient r\u00eave et souvenirs au r\u00e9el dans un acte\n\t po\u00e9tique. Dans l'exposition \u00ab L'\u00e9-lu, l'\u00e9-cri et le temps \u00bb\n\t en 2008 \u00e0 la galerie La Blanchisserie, \u00e0 Boulogne(92),\n\t Tamara Landau marque ce tournant avec \u00ab Bloc-notes magique\n\t 1 \u00bb qui va continuer \u00e0 nous plonger dans l'inconscient en\n\t nous faisant survoler, comme un tapis magique, l'univers de\n\t tous les possibles. \n\t <\/p>\n\n\n\n * En ao\u00fbt 2008, son installation \u00ab Space and dream 1 \u00bb est s\u00e9lectionn\u00e9e par le jury<\/a> pour repr\u00e9senter la France \u00e0 OPEN XI<\/a>, exposition internationale de sculptures et installations \u00e0 Venise. <\/p>\n\n\n\n * En octobre 2008, elle expose ses sculptures en alb\u00e2tres \u00e0 Chiavenna, exposition internationale de sculptures, installations et peintures<\/a>. <\/p>\n\n\n\n * En novembre 2008, elle participe avec sa video et ses installations \u00e0 l'exposition \u00ab Angeli, tracce d'infinito \u00bb<\/a> \u00e0 la Mya Lurgo Gallery \u00e0 Lugano. <\/p>\n\n\n\n * En f\u00e9vrier 2009, elle pr\u00e9sente son installation \u00ab Bloc-notes 2 \u00bb\n \u00e0 Milan, \u00e0 l'Espace Tadini. En mai,elle participe avec une vid\u00e9o et une\n performance \u00e0 l'exposition collective \u00ab L'\u00e2me du son \u00bb<\/a> reli\u00e9e \u00e0 la Biennale de Venise, organis\u00e9e par Pardes, laboratoire de recherche en art contemporain (Mirano). <\/p>\n\n\n\n * En octobre 2009, elle participe avec des sculptures \u00e0 l\u2019expo collective de Mnemoart \u00e0 Villa Reale \u00e0 Monza. <\/p>\n\n\n\n * En mai 2010, elle pr\u00e9sente sa video \u00ab L'Autre sc\u00e8ne. Traces \u00bb au Freud Museum \u00e0 Londres. <\/p>\n\n\n\n * En octobre 2010, elle participe avec un triptyque en alb\u00e2tre \u00e0 \nla journ\u00e9e des Mus\u00e9es d'Art Contemporain Italiens avec l'exposition \n\u00ab El\u00e9vations et Permutations\u00bb2 \u00e0 Mirano (Venise)reprise par RAI2 dans \nl'\u00e9mission \u00ab Le paradis de l'art \u00bb. <\/p>\n\n\n\n * En avril 2011, elle expose son installation \u00abRescap\u00e9\u00bb dans une \nexpo collective sur la Shoah \u00e0 la Soci\u00e9t\u00e9 des Gens et des Lettres, \u00e0 \nParis. En octobre, elle participe avec ses sculptures \u00e0 l'exposition de \npeintures et de sculptures \u00ab Ars poetica erotica \u00bb \u00e0 la galerie Orenda \n Art International \u00e0 Paris.<\/p>\n\n\n\n * En avril 2012 elle expose un alb\u00e2tre, une grande installation et\n la video \"m\u00e8refille toutattach\u00e9\" \u00e0 l'exposition collective autour de \nson livre \"Les funambules de l'oubli\" qui a eu lieu \u00e0 L'institut \nHongrois \u00e0 Paris. <\/p>\n\n\n\n * En juin 2012, elle a projet\u00e9 ses video \u00e0 la librairie La terrasse de Gutenberg \u00e0 Paris.<\/p>\n\n\n\n * 2013 \u2013 Projection de vid\u00e9os, palais de congr\u00e8s de Buenos Aires, Argentine<\/p>\n\n\n\n * 2013 \u2013 Exposition collective MnemoArt, Mairie du XIVe arrondissement de Paris<\/p>\n\n\n\n * 2014 \u2013 Projection de vid\u00e9os \u00e0 la librairie-galerie La Terrasse de Gutenberg, Paris<\/p>\n\n\n\n * 2015 \u2013 Projection de vid\u00e9os \u00e0 l\u2019Institut Fran\u00e7ais de Milan<\/p>\n\n\n\n * 2015 Projection vid\u00e9o dans l\u2019exposition \"Jean-Pierre Landau ou l\u2019\u00e9coute \u00e0 l\u2019oeuvre\" Spazio Tadini Milano.<\/p>\n\n\n\n * 2015 \u2013 Il gusto delle parole energia per la vita<\/em>, exposition avec le groupe MnemoArt, Espace Tadini, Milan<\/a><\/p>\n\n\n\n * 2015 \u2013 Projection de vid\u00e9os \u00e0 l\u2019Alliance Fran\u00e7aise de Buenos Aires<\/p>\n\n\n\n